By Bob Garver
It’s weird when a super-low-budget cult movie like 1981’s “The Evil Dead” gets a well-funded sequel. So many elements are bound to be better with a properly-paid crew of professionals, as opposed to amateurs with a scraped-together budget. The 1981 film cost $350,000, though I’d believe you if you told me it never got beyond five digits. “Evil Dead Rise” cost $19 million, and it looks like a perfectly-competent modern horror movie. But that’s exactly the problem with this movie, it rarely rises above the level of “competent.” The original undeniably did some things that were less than competent, but it wouldn’t have had the flavor that gave it success (and warranted this update) if it didn’t.
The scares are relatively effective. We get some nice long shots of characters in gruesome makeup, where a lesser movie wouldn’t let us get a good look, lest we have time to register that the effects are shoddy. The movie has some creative ideas for violence, though it’s hard to not be taken out of the movie by the thought of how badly the filmmakers wanted an excuse to use certain weapons. There’s also a typical-by-today’s-standards overreliance on quiet tension and jump scares, as if the Deadites are being dramatic on purpose. I know they’re into manipulation, but they’re not great at capitalizing on the element of surprise, so they’re basically doing it for the film’s audience and not their intended victims.
If “Evil Dead Rise” were really bad, it would be easy to trash it and say that it couldn’t be as effective with $19 million as the original was with $350,000. It’s not bad enough to warrant that kind of dismissal. The actors are doing their best to give breakout performances, and the teams in charge of the violence and gore effects are clearly having a blast. But it’s also too bland for me to say that I was ever really enjoying myself. I guess the kind of charisma I need in a horror movie is something money can’t buy.
Grade: C
“Evil Dead Rise” is rated R for strong bloody horror violence and gore, and some language. Its running time is 97 minutes.
Contact Bob Garver at rrg251@nyu.edu.
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