Movie Reviews

By Bob Garver     All the way back in 2009, director James Cameron introduced the world to the planet Pandora and the Na’vi race in “Avatar.” The film soon set the record for all-time highest grossing movie at both the domestic and international box offices (it still holds the record for the latter). Sequel…

By Bob Garver     From its ridiculous opening scene, there is little denying that “Five Nights at Freddy’s 2” is one of the stupidest movies of 2025. Its only real competition comes from Disney’s live-action “Snow White” remake thinking that its Dwarfs were fit for human eyesight. And it’s not even the fun kind…

By: Bob Garver     2016 was a great year for animation. Disney gave the world a new musical masterwork in “Moana.” Pixar had its biggest hit up to that point in “Finding Dory.” Even underdog Laika came out with cult classic “Kubo and the Two Strings.” But the winner of the Best Animated Feature…

By Bob Garver     It was all the way back in 2013 that audiences were first introduced to the Four Horsemen of Magic – J. Daniel Atlas (Jesse Eisenberg), Merritt McKinney (Woody Harrelson), Jack Wilder (Dave Franco), and Henley Reeves (Isla Fisher). The quartet blurred the line between “magic tricks” and “heists,” in that…

By: Bob Garver     “Predator” and I got off on the wrong foot. I’m not talking about the new movie, but rather the 1987 original, and by extension the whole franchise. I rented the film hoping to enjoy some action-movie interaction between two future governors: Arnold Schwarzenegger and Jesse Ventura. Unfortunately, there was little…

By Bob Garver     How is it that Halloween of 2025 couldn’t give us a better horror movie than “Black Phone 2”? It’s not that I’m shocked that a Halloween horror movie is a disappointment. I’m just shocked that we got such a disappointing movie this year. 2025 has been such a banner year…

By Bob Garver   The legacy of the “Tron” franchise is complicated. On a consistently positive note, the series has always been a feast for the eyes and ears, with pleasing, if not groundbreaking special effects and musical scores that heart-pumpingly convey that technological developments are happening every minute. But the films have never quite…

By Bob Garver     Writer/director Paul Thomas Anderson is known as a top-tier talent without top-tier recognition. None of his movies have made more than $50 million at the domestic box office, and despite 11 nominations, he’s never won himself an Academy Award (a combined three Oscar wins have come from his films, including…